Hong Kong-based writer and producer Bey Logan reminds us of a time when flm posters were painted but still caught the energy of the moving image.
The men, who worked for hire to provide this uniquely stylised poster artwork, are some of the true unsung heroes of 70s action cinema.
To read the full article on Pocket Arts Guide, Feb 2012 issue, click here [...]
A summary of our works in 2010 and a projection of our upcoming projects for 2011. This company video was first released at B&E HKFilmart party. For distribution or publicity enquiries, contact info@bxe-productions.com.
見近楊制作於2010年的出品回顧及2011年新作展望。發行及宣傳查詢,請聯絡 info@bxe-productions.com
A great interview on Bey’s career, focusing on our film “The Blood Bond Saga: Shadowguard” and the novel “The Blood Bond”, is featured at the March 2011 issue of Singaporean magazine “The Pocket Arts Guide”. See the Story “Tale Bonding” by Remo Notarianni at page 48.
Click this link [...] to read the entire magazine and the Story at page 48
See extract of its review on the “The Blood Bond” novel below:
“The screen-inspired origins of the book and the way its uses the written word to describe martial arts makes an interesting crossover. Logan’s lens follows a sequence of cinematic vignettes with stories and scenes that seem straight out of action cinema, giving it the unique quality in parts of reading like a film script. It also conveys the choreographic language of martial arts, helping us understand actions that seem to trademark the characterisation and move the story forward.”
The novel “The Blood Bond” written by Bey Logan and published by B&E received a positive and constructive review from Hong Kong’s South China Morning Post this last Sunday. See extracts below:
‘The dust jacket blurb sells The Blood Bond short. It doesn’t tell you anything of the novel’s sharp dialogue and sometimes interesting character…
‘The Blood Bond is pacy, lacking in any form of narratorial self-indulgence, and the main characters are given some very plausible dialogue…
‘Without Logan’s pacing and ear for dialogue, we could have had something more akin to The Da Vinci Code, proably the silliest artefact human culture has yet produced. Be thankful we don’t.’
To read the complete book review by Richard Lord, click here [...]
To find out more about the book, click here [...]