Mar 2011 29

A summary of our works in 2010 and a projection of our upcoming projects for 2011.  This company video was first released at B&E HKFilmart party.  For distribution or publicity enquiries, contact info@bxe-productions.com.

見近楊制作於2010年的出品回顧及2011年新作展望。發行及宣傳查詢,請聯絡 info@bxe-productions.com

Mar 2011 19

Hot off the press.  Here is the advance teaser trailer from our newest sexy swordplay actioner “Snowblade”.  For distribution and publicity enquiries, please contact info@bxe-productions.com.

Snowblade commences principal photography in Nanhai
Mar 2011 17

B&E has begun production on the exotic period swordplay actioner ‘Snowblade’ at the Ace Studios in Guangzhou. The film, which stars Sable Yu (from the Pang Bros release ‘In Love with the Dead’), tells the tale of a lethal bladeswoman who must cut down seven foes before the full moon sets. ‘Snowblade’ marks the directorial debut of B&E co-founder Bey Logan, who is ably supported by acclaimed Cinematographer Rain Li (Gus Van Sant’s ‘Paranoid Park, ‘Paris Je T’Aime’). Though the full cast has yet to be announced, the scenes shot so far feature rising Guangzhou-based actor Taeki Gong and celebrated Chinese-American character actor Andrew Ng. “Our year one productions were quite tame compared to this,” observes Logan. “ ‘Snowblade’ reflects the darker, edgier side of our creative instincts’.”

Mar 2011 17

A great interview on Bey’s career, focusing on our film “The Blood Bond Saga: Shadowguard” and the novel “The Blood Bond”, is featured at the March 2011 issue of Singaporean magazine “The Pocket Arts Guide”.  See the Story “Tale Bonding” by Remo Notarianni at page 48.

Click this link [...] to read the entire magazine and the Story at page 48 

See extract of its review on the “The Blood Bond” novel below:

The screen-inspired origins of the book and the way its uses the written word to describe martial arts makes an interesting crossover.  Logan’s lens follows a sequence of cinematic vignettes with stories and scenes that seem straight out of action cinema, giving it the unique quality in parts of reading like a film script.  It also conveys the choreographic language of martial arts, helping us understand actions that seem to trademark the characterisation and move the story forward.”